Process Boards and Polariods with a Side of Corn

Greetings Everyone, It has been quite some time, I’m aware, but this is the life of a teacher/student.  Finally I am getting some images up to show something a Project Zero teacher/friend of mine suggested and some double-ended art making that recently occurred. 

About a year a go I wrote about film making as an educational tool and the unit has come around again.  This group of students is very good about staying on task and while they were making their sets and characters, I ran around the class with the Polaroid to take photos of the process.  My reasons are two fold.  1. To be a bit of a goof ball (the charm of being a middle and high school art teacher is that it is in the job description to be a little corny), and 2. To document the students’ progress and post it on their semester process board. 

The idea of the process board is to help the students visually see where they start the term and how it progresses along.  Not only is it a history making device, I believe it helps students make connection between experiences they have, what they learn, and what they accomplish.  Hopefully in the future this will reinforce their ability to call on prior knowledge when approaching current tasks.

Enjoy the corny photos!
Devin

Challenge

It has been difficult to write with school keeping me busy over the past three months.  I have a little respite so I am taking advantage to write here some.  I will make my best effort to continue to write this blog over the following terms.  There have been several creative thinking ideas I had over the past stretch of time, above is an image from an eperience I had that was most definately a creative thinking exercise.  I was brought in to work with Theatre du Reve for a performance at the High Museum of Art.  The performance celebrated French History and specifically the role the Tuilerie Garden took. My role was to create street art during the performance.

To develop the imagery I looked through the script and experiemnted withusing differnt elements in a graffiti style.  I found that dialog from a play isn't always the most graffiti friendly.  There is a reoccuring theme throughout the play, how people should be free and that this sometimes comes through violent action, the French Revolution, the Terror, WWI, and Nazi occupation all played a part of this performance.  The balloon also made several apperences in the text , so after a while I took my freedom message, droits de l'homme, the balloon worked as a good visual element that attracts the attention, then it was just time to work out the color scheme.  This came mostly from experimentation, in the end, one doesn't go wrong with a primary triad.

What you see above is a mock-up I did on the painting wall at school.  As it turns out the museum was funny about me using spray paint so the mock up turned into the actual thing the night of th performance, where instead of painting, I wheat pasted. Problems promote creativity!

Film as an Educational Tool

I have been mulling over the idea of using film as an education tool for students for some time now and over the past week I have started to think about it more in ernest.  I should describe what I mean.  When I say film as an educational tool I do not mean showing students films that relate to content in the class, or as a reward or anything like that.  Rather I mean students should be making films to exhibit learning.  This originally came from an experience I had in the classroom where instead of requiring students to write a reflection (I called it an artist’s statement) at the end of a unit I offered the option of writing, or recording sound or creating a short video.  Later I offhandedly said to my students “For your artist’s statement you can write longhand, type and essay, record a video, write a song or a poem or whatever tickles your fancy as long as it covers the following points”.  The points are listed in their book as well as in a rubric and I covered them verbally.  I did not expect it, but when the artists statements were turned in as normal I got many typed essays and videos and low and behold I got one poem and two songs.  I believe this points to the nature of current students’ environment and where they are comfortable working and expressing themselves. 

A while back I was reading a graphic design back (by a while back I mean probably six or seven years now) and a particular statement stood out to me.  To paraphrase:  Graphic design is not longer about static images, if you create a logo or symbol, eventually someone will spin and twirl it.  If we extend the definition of students all the way through university then I feel comfortable is saying that students today have grown up in an environment of moving images.  It is not novelty but a way life is presented to them.  Naturally they should then feel accustomed to receiving and also sending information in this manner.  In fact they are so comfortable with this platform that I have found students often do a better job of meeting class requirements when allowed to communicate in this manner.  To set the stage:  In my class part of the requirements of the every unit is to reflect.  Often times there are audible groans in the classroom when the work ‘reflection’ escapes my lips.  The sad thing about this is first, reflection is shown to be a very valuable learning tool as it promotes metacognition in students and second, reflection can be quite exciting but students have learned that reflection is the same as describing.  Sincerely, when I read a description of what happened in class I also groan because I was there, I saw what happened in class and do not need to revisit.  What reflection should be about is describing meaning and pinpointing areas where a multitude of possibilities became an idea worth pursuing and where for artistic reasons the student took a direction different from the design.  It is my belief that as students come to recognize these moments (and there are more than I have just written) then we as teachers develop better honed thinkers.  Through giving the students an option to record a short film for their reflection instead of writing, I have seen students respond to the above mentioned moments instead of just describing what happened.

This is a singular event, film can be used to go beyond reflection and can also be a tool for exploration and of course, expression.  However I want to stress for the time being that a film as a thinking tool does not need production value which is a problem I have run into with film in the classroom.  At times with both students and enthusiasts of film, production value has gotten in the way of content.  From a simplistic point of view with basic tasks, clarity in communication is more valuable than a good looking film.  In most cases the better video reflections I have received are shot on the Mac program Photo Booth and usually features the art work and the student.  So long as the video and audio are clear  the job can be done and high marks can be earned.  This is not to discount the value of production but in circumstances I have described it is not important. 

But there are places where production value is important.  Making an eye catching film is the content of other education domains.  Drama and ICT for example.  Seeing as these are the places where the art of film are of paramount importance I believe this presents an excellent opportunity for true cross-curricular education.  The thinking skills and techniques that are being instiledl through these classes can be put to use by making it easier to operate the hardware/software and to better communicate a message.  Additionally, the platforms for sharing are increasing all the time.  You Ku and You Tube aside, film festivals and even student film festivals continue to grow every year.  I believe this give us a teachers the opportunities to exhibit to students how intellectual and technical skills are linked to valuable participation in the global community.

To conclude, I hope I have made my point that the value of using short film is great for a generation of students who understand and communicate in this method.  As teachers we should be giving the students the thinking process, technical skills and the platform to develop their minds and their abilities.

Journal that started with a friend and a web site

Being that it is summer I am have the time to think a little more abstractly about things and I have been toying around conceptually with what I am doing here.  a friend of mine works in the online education field and linked me into his web sites.  I had a read through and drummed up some questions and ideas.  Below are my notes, below that is my response.

• What kind of certification do courses need to practically benefit students?
• What is important to students in the future in regards to thinking skills and technical skills?
• How does one engage students?
• The current system of education is outdated in places but it is such a system that it cannot be completely uprooted.
• Teach students skills that allow them to apply techniques to the required courses.
• Educational gaming.

The united states has the AP system which is designed to allow students complete college courses before they actually enter college.  That aside I am certain that every state has its course of study and and universities have their own standard requirements.  There is a push towards STEM which makes me a little sad because it further reinforces the idea that the arts are for flakes and rich people and is a totally superfluous endeavor.  On all these accounts I am in complete disagreement.  One doesn’t need to have the goal of being an artist in order to study art.  How many people learn to dance; swing, line latin, whatever in order to have fun and exercise?  How many people play baseball for fun, how many children and adults are playing catch in the back yard?  Is it because everyone is working towards a career as a big leaguer?  I suggest no.  By this same argument studying the arts doesn’t have to mean one wants to become an artist.  The arts can be used to to better understand oneself and how to better understand other people and the human condition.  A further support of this lies in a comment I heard a director make “A good film allows people to understand the point of view of the character” we all want to know what it is like to be a hero, or a cancer survivor or even a bad guy.  I am getting a little off topic here but to bring it back it is not these skills that are explicitly looked for in a high school or university education.

Think skills are the underlying methods by which we attain technical skills.  A science teacher friend of mine said “Teach the students how to ask a question, and they will learn the methods so that they can answer that question”.  Teaching art skills or really thinking skills will never directly pay off because it is difficult to test, and I am not entirely opposed to testing to be honest, it can be an effective sorting mechanism.  So what we need to teach students is effective thinking skills and show them how they can be applied to acquire or use the technical skills that make money.  To go on with the hackneyed axiom “The world is changing very quickly and the skills we teach students today may not be applicable tomorrow” but there is a lot of truth to it.  Definitely communicating and sharing is the direction things have been moving in the last ten years.  So my argument is that making connections is quite an important thinking skill to have.  when one sees an object or a technology or even thinks an idea, the mind should be looking for way aforementioned thing is connected to its environment and other things.  In my own teaching practices there are several units where connection between ideas is required.  A partner teacher of mine wrote a unit in which she requires students to look at one specific tradition in the visual arts and then connect it to one tradition from modernism on.  That kind of thought process can be executed in any discipline.

Educational gaming:  Although I do not know much about it, I believe this is one strong way to develop students’ minds through a medium they are already familiar with.  fortunately/unfortunately my parents never got hip to the video game concept and unlike many of my peers my gaming experience is limited to Atari and Nintendo.  But so many people engage in gaming and truthfully I am quite encouraged by the amount of art I see being put into gaming these days.  Games now have designers that create whole worlds and story lines and the world of gaming creates communities that ten years ago did not exist.  I’ve had a couple of silly ideas like online Cadaver Esquis and brainstorming and association.  A new thought I had sprung from the new google Artwork catalog.  My idea is to start communities where people curate their own exhibits.  Look to curators and gallerists to create challenges based on how they put exhibits together and then allow the players to fulfill those requirements.  In fact it does not even need to be limited to just visual arts.  For example take a concept and look for items from a variety of disciplines that highlight that concept.  

Well, I don’t know exactly how to end this entry because there wasn’t really a point to prove to begin with.  It’s a journal exercise of sorts from which I examined a web sight and recorded my thoughts.  Hopefully it drums ideas for those of you who took the time to read it.  As always I am open to your thoughts idea, questions and comments.

Basic Understanding

I have been reviewing some of my practices and to do this I wrote out some of the techniques I have used in class with my students.  Through this process I actually changed some and please keep in mind this is for just developing the idea, there is still a lot of art to be done when it comes to creating the art.  As always, free to use as you wish because I'm a good Communist like that.  However, if you end up making some good money maybe you could kick a little my way since teachers don't get paid squat, or even better, buy me a bottle of wine.

School-Scapes Grade Six

1. Brainstorm feelings.
2. Brainstorm feelings about school.
3. Associate colors and shapes with feelings in #1.
4. ASsociate places with those feelings in #2 and add colors and shapes from #3.
5. Review good photo-taking techniques.
6. Go out and take photos around campus and keep in mind #4 and #5.

Ceramic Culture Grade Six

1. Define what culture is, both what it means and what are some examples of it.
2. Look at Principles of Design pattern, rhythm, harmony, unity, variety.
3. Research how different cultures have identified themselves on ceramic work (this is coupled with a slide show where one culture from each continent is displayed as well as some contemporary work).
4. In process journal brainstorm cultures you may be interested and making a cultural motif of.
5. Keeping in mind the principles of design we studied develop a decoration for your ceramic object.

1. Research different ceramic techniques and terminology.
2. Practice with each of the techniques - pinch pot, slab construction, coiling.
3. In your process journal design at least three different profiles.
4. Execute your work and halfway through working on it write a short journal entry about what is working well and what is difficult.

Artists and Communities Grade Eight

1. Brainstorm words that are important to your person or your place
2. Ideally 4 - 5 letters
3. Write on in all capitals
4. Join the bottom of the letters together
5. Write three questions about your name/tag.
6. Add a number and symbol.

Surrealistic Portrait and Still Life

1. Look at several surrealistic paintings and identify things you believe make them surrealistic.
2. Think about some dreams you’ve had, they are difficult to remember so do not rty to remember the whole dream, just images and as you have one write it down in phrases or a couple of sentences.  If you really can’t think of one then use classic ideas of dream imagery.
3. Practice drawing techniques found in both still life and portraiture.
4. Introduce students to some of the symbolism found in Carl Jung’s psychology, e.g. Greek myths symbolizing aspects of the psyche.
5. Have students brainstorm with images - circle exercise - of symbols they think represent themselves.
6. After a good bank of images exists, then design the drawing, with the symbols and the ultimate design of the painting, keep in mind that it needs to be surrealistic, so make odd changes in your imagery or juxtapose things not normally found together.  Also keep in mind you portrait and your hand need to be in the composition.

Sequential Art Grade Nine

1. First map out (write in words, in order first, second, third . . .) normal activities of an insect.
2. Now map out the insect doing something a human would do.
3. Now combine the two.
4. Look at your story map, rearrange parts of it.
5. Make an official story map.
6. From a story map make a story board.
7. Film your animation.

Crossing Cultures Grade Nine

1. Choose one work of art from one of the traditions.  Interpret it for the purposes it serves - look at the Purposes of Art for examples.
2. Describe how the work looks, be specific about colors and shapes and their relationships, narrative and overall design.
3. Take individual words from these activities and write them in a top to bottom list.
4. Now do the same with one work of art from the other tradition and write your top to bottom list next to that list from the first tradition.
5. Look for natural connection and random connections, as you make these make a small sketch of an image this makes on another sheet of paper.
6. Take these images and compose a drawing of one or a combination of a few.

Process

I thought I would outline the creative process when creating this painting as it highlights some of my methods.

• I wanted to expand my graffiti practice so instead of just writing my name I looked into typography and thought to practice all the letters of the alphabet.  My first was ABCD and then I recited the alphabet until I found some letters that had a nice mnemonic device.  I decided upon LMNOP
• After a couple of sketches I thought shorter would be better.
• Back to research, looking more at I Love Typography and read articles about some font developers and what makes an easily readable font.  IN this process I also seized on some color words..
• Adjusted the design to just LMN because it fits better on the paper.
• I drew each letter in a box, actually I drew the box first.
• Looked at the underdrawing on the paper and thought it was too simplistic.  so I reflected back and reviewed some sketch books to add to the design.
• Began painting and in the process and reviewed the color wheel during the process.  Added the little circles and octopus later during work.
• Reviewed the final painting and decided I like the design but it's too small, it needs to be wall sized.