Process Boards and Polariods with a Side of Corn

Greetings Everyone, It has been quite some time, I’m aware, but this is the life of a teacher/student.  Finally I am getting some images up to show something a Project Zero teacher/friend of mine suggested and some double-ended art making that recently occurred. 

About a year a go I wrote about film making as an educational tool and the unit has come around again.  This group of students is very good about staying on task and while they were making their sets and characters, I ran around the class with the Polaroid to take photos of the process.  My reasons are two fold.  1. To be a bit of a goof ball (the charm of being a middle and high school art teacher is that it is in the job description to be a little corny), and 2. To document the students’ progress and post it on their semester process board. 

The idea of the process board is to help the students visually see where they start the term and how it progresses along.  Not only is it a history making device, I believe it helps students make connection between experiences they have, what they learn, and what they accomplish.  Hopefully in the future this will reinforce their ability to call on prior knowledge when approaching current tasks.

Enjoy the corny photos!
Devin

Basic Understanding

I have been reviewing some of my practices and to do this I wrote out some of the techniques I have used in class with my students.  Through this process I actually changed some and please keep in mind this is for just developing the idea, there is still a lot of art to be done when it comes to creating the art.  As always, free to use as you wish because I'm a good Communist like that.  However, if you end up making some good money maybe you could kick a little my way since teachers don't get paid squat, or even better, buy me a bottle of wine.

School-Scapes Grade Six

1. Brainstorm feelings.
2. Brainstorm feelings about school.
3. Associate colors and shapes with feelings in #1.
4. ASsociate places with those feelings in #2 and add colors and shapes from #3.
5. Review good photo-taking techniques.
6. Go out and take photos around campus and keep in mind #4 and #5.

Ceramic Culture Grade Six

1. Define what culture is, both what it means and what are some examples of it.
2. Look at Principles of Design pattern, rhythm, harmony, unity, variety.
3. Research how different cultures have identified themselves on ceramic work (this is coupled with a slide show where one culture from each continent is displayed as well as some contemporary work).
4. In process journal brainstorm cultures you may be interested and making a cultural motif of.
5. Keeping in mind the principles of design we studied develop a decoration for your ceramic object.

1. Research different ceramic techniques and terminology.
2. Practice with each of the techniques - pinch pot, slab construction, coiling.
3. In your process journal design at least three different profiles.
4. Execute your work and halfway through working on it write a short journal entry about what is working well and what is difficult.

Artists and Communities Grade Eight

1. Brainstorm words that are important to your person or your place
2. Ideally 4 - 5 letters
3. Write on in all capitals
4. Join the bottom of the letters together
5. Write three questions about your name/tag.
6. Add a number and symbol.

Surrealistic Portrait and Still Life

1. Look at several surrealistic paintings and identify things you believe make them surrealistic.
2. Think about some dreams you’ve had, they are difficult to remember so do not rty to remember the whole dream, just images and as you have one write it down in phrases or a couple of sentences.  If you really can’t think of one then use classic ideas of dream imagery.
3. Practice drawing techniques found in both still life and portraiture.
4. Introduce students to some of the symbolism found in Carl Jung’s psychology, e.g. Greek myths symbolizing aspects of the psyche.
5. Have students brainstorm with images - circle exercise - of symbols they think represent themselves.
6. After a good bank of images exists, then design the drawing, with the symbols and the ultimate design of the painting, keep in mind that it needs to be surrealistic, so make odd changes in your imagery or juxtapose things not normally found together.  Also keep in mind you portrait and your hand need to be in the composition.

Sequential Art Grade Nine

1. First map out (write in words, in order first, second, third . . .) normal activities of an insect.
2. Now map out the insect doing something a human would do.
3. Now combine the two.
4. Look at your story map, rearrange parts of it.
5. Make an official story map.
6. From a story map make a story board.
7. Film your animation.

Crossing Cultures Grade Nine

1. Choose one work of art from one of the traditions.  Interpret it for the purposes it serves - look at the Purposes of Art for examples.
2. Describe how the work looks, be specific about colors and shapes and their relationships, narrative and overall design.
3. Take individual words from these activities and write them in a top to bottom list.
4. Now do the same with one work of art from the other tradition and write your top to bottom list next to that list from the first tradition.
5. Look for natural connection and random connections, as you make these make a small sketch of an image this makes on another sheet of paper.
6. Take these images and compose a drawing of one or a combination of a few.

Magazine Development

I have been working more scientifically (not really scientifically mind you) and have begun compiling evidence for creative thinking exercises.  Below is something I have written up in a report and I thought it would be nice to share.

Task Description:

When embarking on this unit I asked the students to think about the content of their magazine cover and I wanted them to follow a certain protocol when developing their ideas.  I instructed them that this method is not the only method but one I had found successful for students.  I also instructed them to put their idea development on paper, I believe this is most beneficial because it allows the mind to focus one one thing, new ideas, and allows paper to do the job of keeping track of ideas.  The concept here is that one should put as many ideas down as possible and then when they are documented, choose the best or most appropriate.  The student followed the following protocol:

1. Make a group of nine circles on you paper and in two minutes time fill in each circle with one thing they like.  It could be in the form of  words or sketches and that quantity is better than quality.
2. Then I asked the students to review verbally the previous lesson about the design of a magazine covers and make another circle brainstorm of topics they found interesting.
3. After the students had filled several pages of ideas I asked them to pick one of their ideas and brainstorm in a list sub-genres of this topic/item.
4. Finally the students were required to discuss with the classmates at their table their brainstorms and have their classmates give honest response to what was a good/interesting idea, what would be most suited to the student and alternative solutions.
5. Once the students had an idea they were happy with they could begin sketching out possible designs.

This is not a very involved process and in total time it lasted about thirty minutes.  My intention was to show the students how they could use what was already in their mental vocabulary and then developed that concept more robustly.  Then to make editing decisions that would best suit their skills, interests and third party opinions.  What is missing from this picture here is that the students had already been thinking about magazines and they had been given the unit introduction which definitely influenced their decisions.  On the opposite end some of the student reflections are missing so it is difficult to evaluate their exact opinions on how the creative thinking exercises assisted them.

Student A followed the in class method well.  She gave herself a variety of options when beginning the idea and choose clothing.  Where the idea for fashion for pensioners came from I do not know.  I believe it is related to her desire to do something different from the norm.  I do not recall specifically if this conversation took place between myself and this student, but several times I did discuss the issue of not having a magazine only about fashion but to choose a particular demographic to target.  Her choice is clever and entertaining.  This student’s trimester grade for Criterion C Thinking Creatively is six out of eight.

Student B used a slightly different method, choosing from a more limited brainstorm but then expanding upon that brainstorm and setting a kind of to do list for herself before beginning on the design of her magazine cover. This student’s trimester grade for Criterion C Thinking Creatively is a six out of eight.

Too Much

Ah too much time has passed since I've written here but I have a good excuse. I am a teacher and we had reports to write, then it was Thanksgiving and now it is the build up to Christmas.  Sadly I do not have anything properly prepared although I have a few things in the works and I will preview these with a little follow up to something I started a few months back.

First, to add to sequential art.  It has been the second time around that I have asked the students to make a story map, then a story board then studio work of art telling a story.  The first project of this unit is complete and assessed and the students are now onto their second project.  What I have noticed is somewhat inconclusive.  First, out of thirty students only about five or six actually completed both a story map and a story board (although all but one completed one of these) so it is hard to read whether it helped them creatively or not.  Secondly, as teachers know, students come in all mental shapes and sizes and while some ideas are quite imaginative, it may be a naturally occurring thing rather than the opportunity to use a thinking exercise.  What I have noticed is that the student who did not make either story board or map had a very limited story, with only one scene change and no bodily change showed in the art's subject matter.  Also the story board (which most of the students completed) definitely has an effect on how well they designed their work and even when the story was simple, it came out well rendered and engaging.  One student even wants to have the story mounted on a record player so that one can sit and watch the story spin before one's eyes.  The students are now onto the film making aspect of the unit and results won't be in until just before the Christmas holiday.

Also I spent some time working with one of our Spanish teachers and we looked at different ways we use story telling in our classes.  She uses it to help students access information and display learning.  We both thought that this is an excellent opportunity to start collaborating because I am working on the art of the story, she is using the form of the story and our ICT department is discussing the tools.  What I really like about this is the change in education that is being indicated here.  We all inform each other how to work and what we work on, and students can employ methods which are relevant to contemporary society in their education.

As an addition to this I decided to take my own medicine and created several narrative for myself which I could then turn into art.  This has had several results.  I've created a couple of paintings where part of the narrative is told and it has given me new ideas for imagery.  Another result is that my graffiti is taking on a more engaging aspect.  as well as getting my tag up I've been using my character (an octopus) to interact with the surrounding environment.  I'll link in my art Tumblr, not a lot is up there but you can see some of it.

http://www.tumblr.com/blog/devinallenart

Something I have been preparing to write (actually I wrote the outline but have since misplaced it)  Is the idea of struggle and creativity.  As one possible technique of examination I looked at the impossible problem.  Derive a solution to an impossible problem.  I think back to the time when I devised a scheme to create an atmosphere on the moon.  I will save you the details here but it involves planting one flower in a jar and letting things go from there.  Not that I really think this is possible but it's fun to imagine and could set the stage for a good story, imagery and maybe even dance, possible design.  This is somewhat highlighted by an NPR story filed about a month ago concerning how Japanese and American students respond to work.  Even when given an impossible to solve mathematics problem the Japanese students stayed with it for the entire time given (one hour) and attempted to derive solutions from it.  Here's the story you can listen for yourself.

http://www.npr.org/blogs/health/2012/11/12/164793058/struggle-for-smarts-how-eastern-and-western-cultures-tackle-learning

There is another exercise I am working on involving nouns, adjectives and verbs but it is less well formed so I won't write about it.  So that's it, if you are celebrating a holiday this month or next hope it goes well.  Like always I will celebrate Christmas and Spring Festival (Chinese New Year) because I like the idea of seeing family, eating too much and blowing things up.

Not Sure Yet

So this entry is going to be a thinking entry, at present I do not exactly know what I am going to write about, however, it will be related to my most recent creative thinking work.  I set the task for myself to first investigate any apps at apple's App Store that had to do with creativity  and when that was only so-so I looked up thinking, less that so-so  The two quality apps I found were WordMpress and Ulysses.  The reason I liked Word Press is because it gives one a variety of tones, styles and whatnot to create posters and they are generally designed to fit together so that no matter what you do it will look like good design.  This being said after you make neat posters it really doesn't do much more and if you are slick enough with Photoshop one could  do it on one's own.  Ulysses intrigued me more because because it offered writers a wide variety of tools that I suspect are going on in writers heads' as they write.  One can write and you will get different prompts for word choices, definitions and research on the spot.  My impression that it allows one to multi-task without leaving one window.  Pretty slick, but I don't write and I probably will not write.  Thinking did not present much in lines of aids for thinking but the process lead to me contemplating programs like Mind Node and then another I saw later in John Medea's talk on TED where a company structure could be mapped out and one could view not only the connections between departments but also keep track of the kinds of correspondence (in electronic form) that a member of a company has with that person.

Sine this did not push my thoughts too far forward I went onto another task I set for myself and was to watch at least two talks on TED about creativity and this time keep notes hoping to find confirmation of my existing ideas, or realize new things that others are doing, thinking about or reveal.  I watched for like the fifth time Sir Ken Robinson's lecture about schools and creativity, John Madea's discussion of design, technology, art and leadership and finally Issac Mizrahi's discussion on his own creativity.  Several things came to my mind but I am only going to discuss one right here.  As I said before this is a thinking entry so what follows is unstructured but hopefully helps me reveal an idea to myself.

Movement as a creative thinking process.
The thought process started from here.  Ken Robinson discusses in a joking fashion that university professors use their bodies as transports for their heads and that these people live almost entirely in their head.  My mind started churning and I will copy verbatim what I wrote in my notebook:  Professor - head - body is only a transport   Then can we say that action should be encouraged as thinking?  If so how can we use action as a creative thinking tool?

I am going to reach back into my history and memories and recall something I heard said in a cabin at a YMCA camp.  One of the lead male councilors was discussing his love of sport and they way he described it was like this:  When a person moves, completes an action like a dunk it is perfect artistry, the manipulation of the muscles to create in time something that is both useful and beautiful   In regards to professional sport even the usefulness of it is inconsequential.  While we make take very seriously how our favorite baseball, basketball or football team does, this has little effect on matters of the world.  So in essence that dunk is art for art's sake.  It's the creation of something beautiful simply for the purpose of performing the act.

So how do we turn movement into a tool for thinking.  Personally, I have only weak ideas.  One of my drawing teachers had the class exercise before beginning a studio drawing.  Simple Qi Gong which I am not embarrassed to say worked exceptionally well.  At times I have had my own students get up and move around to get the blood flowing, hopefully to the correct part of the brain that gets them excited about work.  I've often told them to pat their heads and rub their bellies because it feels good and moves the blood around and will get them energized for drawing, painting or even just thinking.  Most the time I get rolled eyes or laughter but the occasional student will oblige.  I've never collected research on how this works.  Another instance comes from my training in Wing Chun.  I will by no means claim to be an expert in this field, but from what I have learned we are studying movement and sensitivity, as force comes in, roll away from it and into its source, as it retreats follow it towards its source, attack the center of your opponent.  I also tell my students this, sit square to your work, focus on it, always go straight for its center.  But most of what I have just written is about approach to working not thinking.

So how? I am hoping my friends who teach drama or my friends who dance can enlighten me.  My ideas are that when given a way to think and then asking the body to speak that way, the individual will be revealed new connections, ideas and can translate that to completing a thought or solving a problem or making art.  I am anxious to see what becomes.

P.s. As I was searching for the right photo for this entry the figurative lightbulb went off over my head.  I chose a photo of someone who may be myself and friend making graffiti in Beijing.  I like this photo (which maybe someone who is my girlfriend took) because when drawing on the wall, especially bit letters, movement is quite important and it is in movement that form revelas itself, not all my graffiti is planned out, I just center myself and release.  Ah here is a key.  More exploration ahead.  And while on the subject also when playing the trombone, moving the arm is an art that effects the art of sound and Yoko Ono's word piece "When one is playing the violin, which is incidental, the sound or the movement of the arm"

Brainstorming Plus - The Spiderchair Incident

Brainstorming is a good start but experience has taught me that it needs more steps to make it more effective.  This is particularly apt with middle school students who sometimes need more guidance when developing ideas.  For purposes of clarity I want to define brainstorming as writing words and phrases freely, without editing or even stopping.  I often tell the students they must write no matter what, even if it's nonsense, for a given amount of time.  I limit this to writing because words usually work in concepts.  Images are also good but I believe they are thinking in a different method and I treat that as another creative thinking exercise.

I have serval starting points.  The first is to allow the students to just have at it and see where their ideas take them.  The next is to give the students the unit question and/or significant concept to think about and again go at it.  While some students will naturally take to this the results I have seen in the classroom are as follows:  About fifty percent of the students get right to it and the other fifty percent are stymied and may write one or two things down but spend the rest of the time looking at their paper.  Of the writing fifty percent only about 25 percent will have something that is a good representative of their ideas and the other 25 percent get off task.  Not that getting off task is entirely bad, but in the classroom setting where the teacher is guiding the students to a goal centered around a certain topic, it is ultimately unproductive, but I reiterate, still valuable.

These observations have lead me to construct the 'plus' method.  Break the concept down into more simple themes and have the students brainstorm along a certain theme.  The brainstorm may deviate as work progresses but it makes the work categorical.  From here I may take another aspect of the concept and have them brainstorm along those lines as well. Or instead of brainstorming along another line of the concept, have them run the first brainstorm and use another aspect of the concept as a lens to view the brainstorm.  Perhaps my writing is not clear but it is far more straight forward when actually conducting the exercise.  I will illustrate with a couple of examples:

Concept: Artists can combine unlike ideas together in a work of art - credit to Richard Todd who wrote this concept.

The students will create two brainstorms they like in separate columns in their workbooks.  Then randomly draw links between these columns and see what ideas generate.  (This moves onto a different idea of concept association that I will discuss in another blog entry) As I mentioned earlier this stymies some students and others get quite off task.  In my opinion it is a little too broad for students.  So my remedy has been to give the students more guidelines.  For this particular unit (once again credit to Richard Todd for planting the seed of this unit) I give the students two concepts to brainstorm, one of my choosing - furniture and another of their own.  Here I encourage the students first to brainstorm nouns and then to pick some of the nouns they feel attracted to and brainstorm those further.  When the massive brainstorming is complete then it's time to combine the concepts.

Typical instructions may sound like this:

1. Open your books and on the next blank page write 'Furniture' then take two minutes and write as many different types of furniture you can think of.  Don't worry of you get off of the furniture idea just keep writing for the entire two minutes, even made-up words are ok.

2. Now go to the next page and for two minutes brainstorm as many nouns as you can.

3. Pick three nouns you find most interesting and brainstorm them on separate pages.

Now comes time for concept association, which is another exercise I will discuss in future blog entries.

Here is an alternative example:

Concept: Humans made tools to make life easier and they make objects attractive to improve quality of life.

1. Brainstorm objects for use.

2. Take three objects from your brainstorm and describe each object looking pretty.

Ok I am going to leave it here.  In reality, many of the exercises are not isolated and please keep in mind that after the ideas are generated there is still a lot of work to do.  Refining the idea, designing and executing.  The goal of these exercises is to access the idea.  There is still a lot of creativity involved but I have found getting the idea makes the next steps more successful and more fulfilling for the students and teachers.